These
photographs are from the World War I Album of Gordon Stuart Watt taken
at El Arish and the Sinai. Wattie's service in WWI is detailed as proceeding abroad as
No. 13/2628 on the 9th of August 1915 with the NZEF Auckland Mounted
Rifles. He was promoted to Signal Sergeant on 19 April 1919 and awarded the
Military Medal along with the 1914/15 Star; General Service Medal and Victory
Medal. At the end of the war Gordon lived on Norfolk Island
with his wife. He was the company Secretary/Auctioneer of the Norfolk Island
Co-Operative Dairy. He also built “Mokutu” at Steeles Point which still
operates as tourist accommodation today.
Welcome to the Norfolk Island Museum's blog. We are lucky to be located in the most beautiful part of a stunning island in the South Pacific. We are a little island, but our history and stories are great - from Polynesian and convict settlements to the home of the Bounty mutineers. Hopefully you'll enjoy our stories.
Tuesday, November 10, 2015
Thursday, November 5, 2015
Timbers and Planking
Work on the building of a new lighter continues at the Lighterage Depot with
strengthening of the keel as timber is shaped and fitted with accuracy and skill.
Glen
Williams recalled “..…as soon as Howard [Christian] heard that No. 01 had
been burnt he came up and said “Hau mach stik yorlye niid? Wael ai el ran naeda
twenti soe yu gat et fe speya”. (How much timber will you need? Well
I’ll run another twenty so that you have some to spare).
Howard Christian milled the timber from Norfolk Island pine and delivered it to the boatshed.
Howard Christian milled the timber from Norfolk Island pine and delivered it to the boatshed.
Glen
Williams and Bevon Nicolai stacked and flitched the planks so that all
materials were conveniently gathered on site when Dean Burrell commenced work
on the lighter.
Regular posts on the building of the lighter will be uploaded to this blog.
Tuesday, November 3, 2015
Progress on the building of the new Lighter
The building of a new lighter - used to unload the cargo ships which visit Norfolk Island - has already commenced and photos were uploaded last week. Work progresses steadily and the frames which hung loosely from the ceiling are now connected to the hull.
The outline of the lighter is clearly discernible.
The frame viewed from the left hand side; from the front and
and right hand side.
It is now time to attach the clinkers. The lighters display the overlapping planks that characterise clinker construction, a method used by experienced and skilled boat builders. The technique developed in Germanic shipbuilding tradition and is a trademark of Nordic navigation, particularly of the Viking longships. The oldest preserved clinker-built boat dates circa 320 AD. The planks overlap rather than butting each other. The planks are fastened with rivets, clench nails or glue where they overlap, resulting in a hull of considerable strength. A tight fit between planks is usually sufficient to keep the Lighter watertight, however sealants or glue is used. Repairs are not as simple with clinkers as on carvel hulls due to overlapping planks and because the fit of the planks is more critical.
and right hand side.
It is now time to attach the clinkers. The lighters display the overlapping planks that characterise clinker construction, a method used by experienced and skilled boat builders. The technique developed in Germanic shipbuilding tradition and is a trademark of Nordic navigation, particularly of the Viking longships. The oldest preserved clinker-built boat dates circa 320 AD. The planks overlap rather than butting each other. The planks are fastened with rivets, clench nails or glue where they overlap, resulting in a hull of considerable strength. A tight fit between planks is usually sufficient to keep the Lighter watertight, however sealants or glue is used. Repairs are not as simple with clinkers as on carvel hulls due to overlapping planks and because the fit of the planks is more critical.
The keel is chiseled out by hand prior to placement of the clinker.
Once accurate placement is assured the clinker is glued and;
hammered into place.
Hand chiseling to ensure accuracy whilst fitting the clinker in place, and also for placement of the next clinker.
Accurate fit of the clinkers is important to the overall strength of the hull.
The men are satisfied with the first clinker and will now move to the stern of the lighter and repeat the process.
Regular posts on the building of the lighter will be uploaded to this blog.
Once accurate placement is assured the clinker is glued and;
hammered into place.
Hand chiseling to ensure accuracy whilst fitting the clinker in place, and also for placement of the next clinker.
Accurate fit of the clinkers is important to the overall strength of the hull.
Regular posts on the building of the lighter will be uploaded to this blog.
Labels:
building of lighter,
cargo,
carvel,
clinker,
lighter,
nails,
Norfolk Island,
planks,
rivets
Wednesday, October 28, 2015
Norfolk Island Lighters 2015
Norfolk Islander's continue the traditional methods for unloading freight from cargo ships. The island has no 'safe harbour', there are two jetties on opposite sides of the island for the cargo to be landed. The 'lighterage' method involves a lighter towed by a motor launch to ferry the goods between ship and shore. A derrick crane and nets are used to lift and move the cargo in and out of the lighters.
Sea freight was the only method of importing items to Norfolk Island until the building of the airport by American and New Zealand servicemen in 1945. Commercial flights began in 1947 and the opportunity to import items by air freight shortly thereafter, but to this day over 90% of imported goods are transported by two cargo ships which visit the island on a once every five week schedule.
Sea freight was the only method of importing items to Norfolk Island until the building of the airport by American and New Zealand servicemen in 1945. Commercial flights began in 1947 and the opportunity to import items by air freight shortly thereafter, but to this day over 90% of imported goods are transported by two cargo ships which visit the island on a once every five week schedule.
In
the early hours of Saturday morning 11 May 2013 a senseless act of vandalism happened on Cascade Pier when lighter No.1 was deliberately set on
fire. Not only was the lighter completely destroyed but also the island’s
supply of cargo nets and the spreader beams used for transporting cars and trucks on the lighters when they were lashed together for this purpose.
The long awaited decision was finally given for work to commence on the building of a replacement lighter. Work began immediately by John Christian-Bailey of JCB and Dean Burrell, an experienced boat builder, under the watchful eye of the Lighterage Manager, Glen Williams.
The long awaited decision was finally given for work to commence on the building of a replacement lighter. Work began immediately by John Christian-Bailey of JCB and Dean Burrell, an experienced boat builder, under the watchful eye of the Lighterage Manager, Glen Williams.
In
its lifetime, a lighter earns approximately $2.2 million in revenue for the island and carries
approximately 30,000 tonnes. It takes four
months to build from start to finish, 4,000 thousand copper nails to hold it together and is in use for up to twenty years. It
is a practical object; a work of art and a legacy to the men who are building it.
Peter Horrocks, of the Museum Trust, moved that the building of the lighter be photographically recorded for inclusion in the Norfolk Island Museum Collection.
Peter Horrocks, of the Museum Trust, moved that the building of the lighter be photographically recorded for inclusion in the Norfolk Island Museum Collection.
Janelle Blucher, A/g Director Curator and Gaye Evans, Asst. Curator/Conservation Officer visited the Lighterage Maintenance Depot at Middlegate and spoke with the Manager of Lighterage, Glen ‘Snoop’ Williams and Dean Burrell, local shipbuilder. The frames hang vertically from the ceiling until such time as they are needed.
The plank for the
keel has been carefully chosen and placed into position.
Work on the bowstem has commenced. This must be strong enough to endure the years of toil the lighter will give to the Island whilst ferrying cargo.
Regular posts on the building of the lighter will be uploaded to this blog.
Thursday, October 15, 2015
The Bounty Adventure
Janelle Blucher, Acting Curator of
the Norfolk Island Museum is delighted to be a part of The Bounty Adventure Cruise experience on
P & O’s cruise liner, Pacific Pearl.
![]() |
| P & O's Pacific Pearl on The Bounty Adventure Cruise |
This is a
fantastic opportunity to promote the Norfolk Island Museum and our Island’s heritage and culture. After two days sailing the liner
sailed into Norfolk Island on Sunday morning 11
October and a welcome sight to see the passengers disembarking at Cascade. A
special day on Norfolk
was enjoyed by passengers and islanders alike.
![]() |
|
The Norfolk Island Museum's Kingston Heritage Walk with
Jeanine Snell... they just didn't want it to finish
|
Tuesday, October 6, 2015
Documenting, Researching and Conserving Pitcairn Island’s Material Culture
The Pacific Development and Conservation Trust of New
Zealand have confirmed their most generous financial support for our project
titled “Documenting, Researching and Conserving Pitcairn Island’s Material
Culture”.
The Pacific Development and Conservation Trust (PDCT) was
established by Trust Deed by the New Zealand Government on 23 May 1989. The
money for the Trust was received from the French Government in recognition of
events surrounding the destruction of the Rainbow Warrior vessel in 1985. Some of us might recall Norfolk Island’s
connection to this incident with the vessel Ouvea
arriving at Norfolk Island after smuggling explosives and other gear into New
Zealand. Thirty years has passed since
the explosion of the Greenpeace vessel that tragically killed photographer
Fernando Pereira, just earlier this month the French secret-service agent who
led the attack made a public apology for his actions.
We at the Norfolk Island Museum are extremely pleased and
excited to be provided with the financial resource to pursue this project. The
aim of our project is to locate, document and provide conservation advice on
Pitcairn Island’s material culture that is held with the communities on Norfolk
Island and New Zealand.
The permanent
population on Pitcairn Island has been decreasing rapidly in recent times with
the islanders migrating mainly to New Zealand.
The cultural material is leaving the island along with the people
putting the provenance of the material at risk and creating potential for these
objects to be lost.
![]() |
| 'Bounty' kettle |
This is a two stage project.
Stage 1 is to identify and document Pitcairn Island’s cultural material
located in New Zealand and Norfolk Island while Stage 2 will focus on Pitcairn
itself. This initial successful grant is
to facilitate stage 1.
The need for this project has been identified through
feedback from Norfolk Islanders visiting Pitcairn Island, and also by our
relationship with the Pitcairn Island Museum, whom have little resources to
undertake this type of project themselves.
This project is fundamental to the protection of Pitcairn
Island’s material culture. No previous
projects have provided for such a holistic approach to ensure material is
identified and documented. This project also explicitly acknowledges that there
is a distinct Pitcairner culture created through the historical circumstances
of its 18th century establishment by Polynesian and European
forebears: its development on Pitcairn
and later Norfolk Island. Today, these objects are an important part of this
heritage.
Documentation of this material
and associated knowledge about its cultural contexts, uses and significance
will form a focus for future community interest in its material and cultural
heritage, as well as provide a body of material for researchers – wherever they
may reside, through physical and digital access. And what a valuable gift this will be to the
future generations of Pitcairn and Norfolk Islanders.
![]() |
| 'Bounty' cannon |
Individuals will be given the opportunity to tell their
stories about life on Pitcairn Island. They
will have the opportunity to have these stories recorded for themselves and
their families. Participants can showcase their material culture and
connections to Pitcairn Island. Basic
conservation advice will be provided to ensure the objects remain in good
condition, objects will be photographed and their history recorded. This information will form a comprehensive
database. The Norfolk Island Museum
will be the repository and access point of this data base of material,
information and research enabling full and direct access to the community.
The Pitcairn and Norfolk Island culture is intrinsically
interwoven; this project is imperative to protect our shared heritage and
culture. It also offers a fantastic
opportunity to develop research, learning and curatorial outcomes.
We’ll keep you posted, in the meantime please contact us at
the Norfolk Island Museum - your knowledge and ideas are important!
Janelle Blucher
Monday, September 14, 2015
Shipwrecks in our waters - The Oscar Robinson
There are many more shipwrecks in
the waters surrounding Norfolk Island than is
commonly known. One of these lesser
known shipwreck stories is that of the Oscar
Robinson, a wooden hulled sailing vessel of 61 ton that became stranded on
the reef close to the narrow entrance into Emily Bay.
The
Oscar Robinson was originally a
trader off the coast of NSW, built in 1883 at Williams
River in NSW and registered in Sydney to Mr John Pinto
of Balmain. This schooner became a
regular trader between Sydney, Lord Howe and Norfolk Island, providing a vital freight and passenger
service between these ports.
On
this particular voyage in January 1898 she was headed from Sydney
to Noumea via Lord Howe and Norfolk Island;
offloading passengers and loading up with fifteen ton of onions at Norfolk. The ship was
anchored off shore at Kingston,
towards the south. Captain Garth was not
on board having left the vessel in charge of the mate Mr. Bezer and a local
pilot, Guildford Adams. On 16 January about 2 p.m. a heavy, black,
nasty-looking squall gathered to the south-west, the decision was taken to
manoeuvre the schooner out to sea. The wind being favourable for this direction
her course was set to go between Nepean and Norfolk Islands, a passage occasionally used by
small vessels. Unfortunately the squall
produced little wind and that which did arrive came from the east south east
put the vessel in difficulty. The anchor
was lifted and she started with the foresail and inner jib. Shortly afterwards
the mainsail was partly hoisted, then lowered and the outer jib set. All to no avail, the vessel drifted
dangerously close to the breakers and an unsuccessful attempt was made to
change course but as she would neither tack nor wear she struck
the reef.
Onshore
the desperate scene was witnessed by many including the Norfolk Island Council
of Elders as they were just about to hold a meeting. Seeing the dangerous position of the vessel, the
elders rushed to the boats, two were quickly launched but they were not able to
reach the schooner before she struck.
The rescue boats proceeded through the narrow passage into Emily Bay
and worked continuously throughout the afternoon until all the cargo and mail
was recovered, fortunately the two men on board were not hurt beyond exhaustion
and disappointment and everything was landed undamaged. The Oscar
Robinson was the second trading vessel lost at Norfolk within a five year
period, the other was the Mary Ogilvie,
both ships were under the command of Captain W.G Garth, we can only imagine his
dismay.
During
the evening Mr Young and a crew of locals made fast a line from the stranded
vessel to a pine tree, they carried a small anchor and hawser (travelling
block) out into the bay and at high tide that night the vessel floated off the reef into Emily Bay, where she sank in
shallow water.
The
Chief Magistrate appointed Captain Bates, Captain Champion, Sen. and Mr Snell
as surveyors to survey the vessel, and an auctioneer for its sale. The next day the wreck was surveyed and it
was recommended that she be sold. She went
to auction on 20 January, the hammer went down on the sale at £46 10s and Mr.
Charles Chase Ray Nobbs was the new owner of the sunken Oscar Robinson.
Thirty
men and boys were employed with casks, buckets and pumps to bale her out at low
tide, succeeding in keeping the water down and managing to take her broadside
onto the beach. The men from the No. 2
whaling company were then engaged and put her further up onto the east corner
of Emily Bay.
There begun the stripping of the copper sheathing and other repairs,
most people who had carts and other appliances also provided assistance. It is
not known whether this work was undertaken for remuneration from CCR Nobbs
however it is known that Captain Garth was presented with a salvage claim for £299.
Charles Chase Ray Nobbs stated his intention
to patch up the vessel and then send her to Sydney for final repairs. He intended to keep her for the inter-island
trade. The Oscar Robinson was given a new master and a new name. The new master was Captain Bezer, the chief
mate that had struggled alongside Guildford Adams attempting to save her from
shipwreck. Agnes was the new name. CCR
Nobbs renamed his new schooner after his wife Agnes and the Agnes was the first vessel to be
registered at Norfolk Island.
Janelle
Blucher
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